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Congratulations New York University students in Paris! You have completed Fashion & Power.

The images above and below represent stereotypical ways of understanding global diversity in fashion. There is a tendency to see the East in its archaic forms or to fail to see the contemporary importance of its culture and fashion amid difficult living conditions. Above the exhibition Les Orient des Femmes celebrates traditional Asian and Middle Eastern dress. Below the Western luxury dress is the focus amid the impoverished surroundings of India from Vogue India 2008. There are designers outside of America and Europe who are beginning to make influential fashion. This has already been seen of course in the Japanese designers in Paris such as Yamamoto. The question is if these designers need to frame their designs with Western aspects like branding, or as seen below, Parisian showrooms. Shanghai wool designer Qiu Hao As we look to China, there are a number of factors which led to their domination in manufacturing. Production has transformed China and it is now a leader in contracts wi

Fashion documentaries have taken a popular upturn in the 21 st century as more and more people grow increasingly curious about the elusive and exclusive world of fashion. By allowing outsiders a peek into this elite society, fashion documentaries are able to give insightful views of what goes on behind the scenes of the 300 billion dollar industry. Two of the most well-known fashion documentaries The September Issue and Valentino: The Last Emperor serve as examinations of the fashion industry and the people that run it, whether it is Wintour directing fashion media or Valentino supervising fashion production. Vogue September 2007 Issue, Cover with Siena Miller It is without a doubt that Anna Wintour is one of the most important and publicly recognized figures in the realm of fashion. As the Editor-in-chief of American Vogue (also dubbed the fashion bible), the Britain-born Wintour is constantly in the limelight. She is constantly described to be aloof and unapproachable by the me

by: Christine Lee "Ethical fashion: myth or future trend?" is a feature from the Journal of Fashion Marketing and Management , which seeks to provide a forum for the publication of refereed, academic papers and more applied case study material in the fashion manufacture and retail sectors. It also seeks to draw contributions from all over the world, recognizing the international nature of the garment and retail industries. This piece was published in 2006, which is pretty recent and therefore still applies today. Catrin Joergens , the author, is currently the Global Senior Product Manager for the NEO Label in the Sports and Style Division at Adidas in Shanghai. She was educated at The University of Manchester where she studied international fashion marketing and at Hochshule Niederrhein where she studied textile and clothing management. The approach is analytical and empirical considering it is basically a case study utilizing research methodologies such as focus groups and

by Bianca Murillo The author Arthur C. Mead taught Economics at Boston College, Simmons College in Boston and worked at the National Bureau of Economic Research before coming to University of Rhode Island where he teaches now. Mead's research interests are in the areas of regional economic performance, demographics, and the economics of higher education. He teaches a course by the same name of this piece, “Made in China”, among other courses. His approach is both historical and theoretical, using historical economic and social facts as a basis for a theoretical analysis. Mead begins by discussing the nature of the apparel industry. Mead asserts, “Apparel is a comparatively small industry with 3.9 percent of world trade in manufactures…but it has an importance for exceeding its size…Apparel is important because it’s mobile, and such it functions…as a leading indicator” (419). Mead argues that the apparel industry is on the move and to understand the changes one must look at the forc