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BACK IN HAMBURG

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 At the end of last week I traveled to Hamburg again to perform at the Home of Burlesque. As we  shot the music video the night before  I opted on the late afternoon flight; to once not have to get up at 6am with just a couple of hours of sleep to go to the airport. Arriving late when performing the same night is always a bit risky, but with a straight flight on a well travelled route you'd still think you're pretty safe, because things can go wrong but in the end they don't actually do that often. This time it did though; first the Helsinki airport was shut down due to a rescue operation, which resulted in delays and too many people wanting to get to the same point (=inside) at once. I worked with transportation and travels for over a decade, and I know what it's like to be on duty when the shit hits the fan and you can't do anything to solve the problem, only try to make the situation run as smooth as possible, and boy was I glad I was not somebody working at Hels...

SHOWPONY SCHEDULES

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Ah, Mondays, Tuesdays, beginning of the week. Mondays used to be may day off to adapt from the weekend rhythm to the weekly one , but this year Dag goes to his play-club on Monday mornings too, which means Mondays has become as shitty as everyone else’s, waking-up wise at least. When you are away performing it’s often odd to adapt your weekend work schedule to your week-schedule. Although I am used to an irregular routine  - the last four years of my harbour work, when I was working as the supervisor, we did five days of evening shift from 15hrs to 1 am, then three days off and then seven days of morning shift from 05:30 to 14:30 (and then we had six days off). I remember reading that mixing shifts like that is not good for your sleep (or for you) as you never really adapt to any regular rhythm, but I can’t really state that my routines would have improved that much nowadays either... Performing life when away often looks something like this, only the small details vary. DAY 1 06:0...